gq 07 – A Quarterly Review of the Graphic Work, 1974

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Content includes:
Mitsuo Kano How to Fly along the declination No.XY
Along the declination of How to Fly/Mitsuo Kano
Contemporary Writer Theory Kano Mitsuo/Ooka Makoto
Special feature: The world of geometric abstraction
・Authors whose philosophy approaches the whole/Shutaro Mukai
・Private experience of abstraction/Hiroshi Tomura
Questions for Change: The Resistance of a Folk Printmaker and a Poet/Jose Guadalupe Posada; Tales and Chinese: Jin Zhihe; Translation: Jiang Shun
Book of toys and games for convicts: 18 types of games/Natsuhiko Okada
Audubon’s miniature painting “American Birds”/Tadayasu Sakai
Labyrinth of Perception – Keiji Usami’s Print Collection Profile/Joseph Love
5th Warsaw International Poster Biennale/Shigeo Fukuda
Printmakers from Asia: From a journey through contemporary prints in Asia and Australia/Yoshiaki Inui
“Bigger is better” -? Seeing the Macro Graphism Exhibition/Toshiaki Minemura
Exhibition collection ① Transformation of the atmosphere/Mamoru Yonekura
Marcel Duchamp or the realm of purity③????/Octavio Paz

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gq 07  - A Quarterly Review of the Graphic Work, 1974. Cover design by Kazumasa Nagai
gq 07 – A Quarterly Review of the Graphic Work, 1974. Cover design by Kazumasa Nagai
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More graphic design history articles

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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.

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Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.

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Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.

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Advances in production and 1950s chewing gum marketing. From Wrigley's iconic "Spearman" ads to Hiroshi Ohchi's designs for Harris Chewing Gum.