Ad Petersen, Pieter Brattinga
A collection of archived works by Dutch typographer Willem sandberg. It is co-authored by artist Ad Peterson and graphic designer Peter Blattinga.
Details
Format: Book
Designer/s: Willem Sandberg
Year: 1975
Client/Publisher: Kosmos Amsterdam
Size: 188mm x 260mm
Willem Jacob Henri Berend Sandberg, commonly known as Willem Sandberg, was born in 1897 in Amersfoort, Netherlands. In 1945, Sandberg became the director of the Stedelijk Museum, where he was responsible for artists and art forms, designing many of the museum's catalogues, posters, and exhibitions using his typographic experiments. He designed around 380 posters and over 250 catalogues and also collaborated with other designers, including Otto Treumann and Dick Elffers.
sandberg een documentaire a documentary, Kosmos Amsterdam, 1975
Willem Jacob Henri Berend Sandberg, commonly known as Willem Sandberg, was born in 1897 in Amersfoort, Netherlands. In 1945, Sandberg became the director of the Stedelijk Museum, where he was responsible for artists and art forms, designing many of the museum's catalogues, posters, and exhibitions using his typographic experiments. He designed around 380 posters and over 250 catalogues and also collaborated with other designers, including Otto Treumann and Dick Elffers.
The transformation of Radio Free Berlin's publicity from dark and provincial to striking and imaginative. Cultural announcements and radio programs designed by Hans Förtsch, Sigrid von Baumgarten, and Reinhart Braun
Erik Nitsche's notable book series, the New Illustrated Library of Science and Invention comprised twelve volumes and they are a fantastic example of how to design a perfect non-fiction book!
Working alongside André Gürtler and Bruno Pfäffli, Adrian Frutiger designed many logo designs. Here is a selection of the designs which were featured in Der Druckspiegel, December 1961. I have also translated and rewritten the descriptions to provide more depth.
A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.
