Sound Texts, Concrete Poetry, Visual Texts, Stedelijk Museum, Amsterdam, 1971

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Sound Texts, Concrete Poetry, Visual Texts, Stedelijk Museum, Amsterdam, 1971 designed by Wim Crouwel and Jolijn van de Wouw (Total Design)
Sound Texts, Concrete Poetry, Visual Texts, Stedelijk Museum, Amsterdam, 1971 designed by Wim Crouwel and Jolijn van de Wouw (Total Design)
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Parallel Public is a new publication by Sara Blaylock, published by MIT Press. The book documents the East German artists pioneering work that made their country’s experimental art scene a form of (counter) public life.

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.

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In 1964, Sugiura was commissioned by the magazine Design to design each of their twelve monthly cover designs. Creating a series of systems which set the foundations for the design.

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.