Der Druckspiegel, 11, November 1961

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Content includes:
The future of newspapers
1. ERICH WAGNER The future of news
2. BEREND H. FEDDERSEN The future reading public
3. The future of advertisements
4. TH. H. OLTHETEN The future of technology – Roads in Utopia?
The insetter control makes progress
ERICH WAGNER Valmy is also near Middletown
‘Asahi’ – pacemaker of technology
KURT WEIDEMANN Face-lift for a newspaper
HANS-JOACHIM KEMPE History of German newspaper advertisements
FRITZ FABER Newspaper color advertising on the march
WALTHER MEYER – STOLL Hi-Fi advertisements in newspaper practice
KLAUS F. SCHMIDT, NEW YORK Colour newspapers in the USA
H. HILDEBRAND Newspapers composing rooms and their role in the flow of work
FRIEDRICH STEPHAN Ludlow in the newspaper composing room
WERNER WOLF Efficient operation with display composition machines in newspaper and magazine offices
ROLAND VON ANGERER HYDROPLATE – a fully automatic round stereo casting plant
FRED FARRIER
The RCA Electrofax plate for daily newspapers
HEINZ BRANDHORST Economical production on modern news rotaries
Klaus F. SCHMIDT, NEW YORK Electronic register control on rotary presses
GOTTFRIED DYRSSEN Reel paper handling and transport in the printing plant
Practical hint
Secure fountain splitting
THE SPECIAL SUPPLEMENTS
BIERING-NUMBERGER Greeting cards
Design exercise 4 / 61
The Best German Books 1960

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Der Druckspiegel, 11, November 1961
Der Druckspiegel, 11, November 1961
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Forward and a selection of poster designs entered to the Die besten Plakate des Jahres 1963. Featuring the work of Hans Hartmann, Jörg Hamburger, Jost Hochuli, and Armin Hofmann.
The UK’s first vintage poster market is to launch as a 3-day pop-up at the Copeland Gallery in Peckham 14-16 May. Entry is free.

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The Bauhaus approach to design emphasised simplicity, functionality, and the integration of modern technologies and materials. A century later, many of the principles taught at the school remain fundamental to contemporary design practices.

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The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.