Design, Council of Industrial Design, 208, April 1966

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Content includes:
Creating a design policy for the Co-op
The writing on the wall ’66 style by Peter Thompson and Susan Forsyth
At last – British door furniture gets co-ordinated, by Peter Whitworth
The odd ergonomic inch and why it matters in the office by Dorothy Meade
Putting it plainly: seven steps toward a clear design brief by Michael Farr
Fantasy at the furniture fair by Richard Carr

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Design, Council of Industrial Design, 208, April 1966. Cover design by Binder/Edwards/Vaugham
Design, Council of Industrial Design, 208, April 1966. Cover design by Binder/Edwards/Vaugham
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Members Content

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.
The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.

Members Content

Franco Grignani’s ability to push design boundaries with his clients is a testament to his artistic eye and talent. His work on Bellezza d’Italia remains a fantastic example of how design can elevate and transform pharma goods.

Members Content

In 1997 Tadanori Yokoo showcased 31 new silkscreens at the Ginza Graphic Gallery in Tokyo. Many of these works were previously unseen, and I was fortunate enough to discover a feature in a back issue of Idea magazine that showcased the full collection of silkscreen posters.