Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Dutch Art + Architecture Today 02, 1977

Information

Content includes:
AD PETERSEN / PIETER MOL – Notes from an Interview
CAREL BLOTKAMP – The painter Daan van Golden,
ANTJE VON GRAEVENITZ – Herman Scholten; Désirée Scholten- van de Rivière,
WIM DE WIT – The new Wing of the Kröller-Müll Museum at Otterlo. A building by Wim G. Quist
PAUL HEFTING – Ad Dekkers. Two Walls in the Kröller-Müller Museum
MARION FRITZ- JOBSE – Peter Struycken’s colour programme for the Slatted Walls of the Auditorium of the Kröller-Müller Museum

Details

  • Format: Magazine
  • Designer/s: Jan van Toorn
  • Year: 1977
  • Client/Publisher: The Netherlands Ministry for Cultural Affairs, Recreation and Social Welfare
  • Size: 250mm x 210mm

Linked Information

Dutch Art + Architecture Today 02, 1977. Designed by Jan van Toorn
Dutch Art + Architecture Today 02, 1977. Designed by Jan van Toorn
More graphic design artefacts
Omnibus 12, University of Braunschweig, 1965. Designed by Udo Zisowsky
From the design archive:

Omnibus 11, University of Braunschweig, 1965

  • Format: Magazine
  • Designer/s: Manfred Bremeier, Udo Zisowsky
  • Year: 1965
View Artefact
Visible Language (The Journal of Typographic Research, Vol 03, 01, January 1969
From the design archive:

Visible Language (The Journal of Typographic Research), Vol 03, 01, January 1969

  • Format: Magazine
  • Designer/s: Jack Stauffacher
  • Year: 1969
View Artefact
Gebrauchsgraphik, 12, 1962
From the design archive:

Gebrauchsgraphik, 12, 1962

  • Format: Magazine
  • Year: 1962
View Artefact
Design Quarterly 130, Armin Hofmann and Wolfgang Weingart, 1985
From the design archive:

Design Quarterly 130, Armin Hofmann and Wolfgang Weingart, 1985

  • Format: Magazine
  • Designer/s: Armin Hofmann and Wolfgang Weingart
  • Year: 1985
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Playing Cards, Takenobu Igarashi, Museum of Modern Art, 1993
  • Design Archive Feature, Members Only Content

Takenobu Igarashi. Japanese Graphic Designer | 1944

Takenobu Igarashi was born in 1944 in Tokyo and is best known for his typographic work as both a sculptor and designer. His work in over 30 permanent museum collections and continues to inspire designers today.
THE IBM POSTER PROGRAM VISUAL MEMORANDA Robert Finkel and Shea Tillman
  • Design Books

The IBM Poster Program: Visual Memoranda

In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.

Members Content

Kupka, Stedelijk Museum, Amsterdam, 1968 designed by Wim Crouwel (Total Design)
  • Design Archive Feature, Members Only Content

Wim Crouwel and the Stedelijk Museum

Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.

Members Content

Advertisements for Radio Italiano designed by Erberto Carboni Scanned from Publimondial 29, 1950
  • Design Archive Feature, Members Only Content

Erberto Carboni and his work for Radio Italiana, 1940s and 1950s

These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.