Eye, Issue 006, Spring 1992

Information

Opinion:
No more heroes by Agenda, Bridget Wilkins
Why is design history so obsessed by appearance?
Features:
Reputations: Neville Brody by Rick Poynor
‘People are using the computer in a very rigid, pseudo-religious way and we are trying to say that the technology is simply a tool of communication and should be treated as organically as any other tool.’
One from the heart by Liz Farrelly
Four years ago, Rick Valicenti said goodbye to his corporate clients and set out to reinvent himself. Now his company, Thirst, makes art with a function.
Visual aids by Simon Watney
Poster campaigns have an important role to play in AIDS health education. But what makes an effective poster? Eye analyses international approaches and looks at the work of the New York activist group Gran Fury.
Gran Fury by Liz Farrelly
How AIDS activists use design to hammer home their message.
In search of Barney Bubbles by Julia Thrift
He was a pioneer of British graphics, but he refused to sign his own work
American Gothic by Rick Poynor
Barry Deck’s Template Gothic is vernacular in inspiration and futuristic in effect. Is it a bizarre one-off, or the shape of typefaces to come?
Rietveld’s children by Hughes Boekraad, Gerard Hadders
New work from graduates of Amsterdam’s famous academy.
Reviews:
Graphic Design and Typography in the Netherlands: A View of Recent Work
Jamie Reid: The Rise of the Pheonix
Jean Widmer
Green Images

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Eye, Issue 006, Spring 1992
Eye, Issue 006, Spring 1992
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
A short free-to-access feature on Swiss Design. The movement was influenced by Bauhaus and De Stijl, sought clarity and visual unity, making it a powerful force in global graphic design that remains influential today.

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The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.

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Advances in production and 1950s chewing gum marketing. From Wrigley's iconic "Spearman" ads to Hiroshi Ohchi's designs for Harris Chewing Gum.

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As part of their marketing strategy, Kast + Ehinger, commissioned a selection of German designers to produce advertisements aimed at the design industry. I have scanned in quite a lot of their advertising matter, all of which were back-page advertisements from three German design magazines. Der Druckspiegel, Gebrauchsgraphik and Graphik – Werbung + Formgebung.