Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Graphis 136, 1968

Information

Content includes:
Franz Hermann Wills, Berlin: Graphicteam
Stanley Mason, Zürich: Educative Posters
Marilyn Hoffner, New York: Ziraldo Pinto
Erika Billeter, Zürich: Globus, Zurich. Human and Inhuman Figures
Friedrich Dürrenmatt, Neuchåtel: Paul Flora. Prospects and Figures
Oppi Untracht, Porvoo: Ritual Wall and Floor Decoration in India
Hiromu Hara, Tokyo: 1860-1956. Posters in Japan
Hans Murbach, Basel: Zillis. A Mediaeval Cosmogony on a Church Ceiling
Stanley Mason, Zürich: Hap Grieshaber. The Way of the Cross

Details

  • Format: Magazine
  • Designer/s: Graphicteam
  • Year: 1968
  • Client/Publisher: Graphis Press
  • Size: 235mm x 300mm

Linked Information

Graphis 136, 1968. Cover design by Graphicteam.
Graphis 136, 1968. Cover design by Graphicteam.
More graphic design artefacts
Ginza Graphic Gallery 03, Yusaku Kamekura
From the design archive:

Yusaku Kamekura (World Graphic Design 3), 1993

  • Format: Book
  • Designer/s: Yusaku Kamekura
  • Year: 1993
View Artefact
Gebrauchsgraphik, 03, 1936. Cover design by Eduard Sauer
From the design archive:

Gebrauchsgraphik, 03, 1936

  • Format: Magazine
  • Designer/s: Eduard Sauer
  • Year: 1936
View Artefact
Das Buchgewerbe, Industrial Union for Graphic Arts, Leipzig, 1947
From the design archive:

Das Buchgewerbe, Industrial Union for Graphic Arts, Leipzig, 1947

  • Format: Bound magazines
  • Year: 1947
View Artefact
César, Stedelijk Museum, Amsterdam, 1966 designed by Wim Crouwel and Ben Bos (Total Design)
From the design archive:

César, Stedelijk Museum, Amsterdam, 1966

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Ben Bos (Total Design)
  • Year: 1966
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Holland Festival 72 Stamp Designed by Dick Elffers
  • Design Archive Feature, Members Only Content

Dick Elffers and his 1972 Holland Festival and Floriade stamp designs

Dick Elffers, had been the chosen designer for the printed matter of the Holland Festival for much of the festival's years, he used a painterly style for his work with the festival between 1954 and 1965 and later a more abstract style between 1969 and 1972. As well as publicity design, Elffers was commissioned to design the summer stamps to promote the Holland Festival in 1972.
EKPlJgZXsAcnxgK-1
  • Designer Interview

Rob Walker (Signs by Umberto)- Precision, Craft and the Love of Letters

I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.
Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature

Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

Members Content

FIP München 1966. The client supplied several motifs. The solution shown was meant to be poster-like and also resemble an old engraving. Unpublished, 1965. Karl Oskar Blase scanned from Novum Gebrauchsgraphik 08, 1982
  • Design Archive Feature, Members Only Content

Karl Oskar Blase and his Stamp Designs for Deutsche Bundespost

He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.