Fact was published between 1964 and 1967, with a total of 22 issues published, highlighting and documenting controversial issues in America.
Details
Format: Magazine
Designer/s: Herb Lubalin (Art Director)
Year: 1964
Client/Publisher: Ralph Ginzburg
Size: 215mm x 280mm
Herb Lubalin graduated from Cooper Union in 1939 and initially designed exhibits for the New York World's Fair. After freelancing and working as an art director for various agencies, he joined Sudler and Hennessey in 1946, where he became vice president and creative director. His work earned him numerous awards from the New York Art Directors Club, Type Directors Club, and AIGA.
Fact, Volume One, Issue Three, 1964. Designed by Herb Lubalin.
Herb Lubalin graduated from Cooper Union in 1939 and initially designed exhibits for the New York World's Fair. After freelancing and working as an art director for various agencies, he joined Sudler and Hennessey in 1946, where he became vice president and creative director. His work earned him numerous awards from the New York Art Directors Club, Type Directors Club, and AIGA.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.
Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.
This book shows, for the first time, all of Hans Hillmann’s film posters. Unpublished sketches and drafts from his estate along with commentary from conversations and interviews provide an insight into the creative process of the award-winning designer.
A collection of letterpresses German brochures from 1959/1960 designed by Hans Geipel for Süddeutsche Rundfunk (SDR), the South German Radio Network based in Stuttgart.
