Content includes:
Franz Hermann Wills: Hans Adolf Albitz und Ruth Albitz-Geiß
Eberhard Hölscher: Ausländer in Deutschland Foreigners in Germany
Hans Kuh: Will. H. Tweehuizen, Holland
Anton Sailer: Gisela Voh
Ludwig Ebenhöh: Cinema français
Janson-Antiqua und -Kursiv. Eine Schriftprobe der Schriftgieferei D. Stempel A.-G., Frankfurt a. Main
Eberhard Hölscher: Die aktuelle Seite • The topical page
Franz Hermann Wills: Professor Walter Bergmann, Berlin
Anton Sailer: Eva Pönicke
Eberhard Hölscher: Ciba-Werbung • Ciba publicity
Ludwig Ebenhöh: Europäische Eisenbahnplakate. Ein Querschnitt
European railway posters. A sectional survey
Eberhard Hölscher: Industriegraphik • Graphic art for industry
Anton Sailer: Sag es mit Humor! • Tell it facetiously
«Amati», a type of the type foundry C. E. Weber, Stuttgart
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
Following on from my previous article on publicity design from 1957-58, an additional annual from 1959-60 showcases another year of great advertising and design from Italy.
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The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past
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Design Archive Feature, Design Education, Members Only Content, Regional Histories, Typography & Type Design
The August 1964 issue highlights the Typography class at the Pratt Institute in New York, a relatively new course at the time. Pratt, one of the most renowned art schools in the United States, had departments for graphic design, painting, art education, industrial design, and applied graphics in the 1960s. The typography course combined theoretical lectures with practical workshops, aimed at students beginning their journey into the discipline.
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