Herbert Bayer

Fortune magazine, Vol. 22, No. 2, 1940

Information

Details

Herbert Bayer was an Austrian-American artist and designer and studied at the Bauhaus school. He worked across various disciplines including  graphic design, typeface design, photography, and art . He left the Bauhaus school in 1928 to pursue a career in advertising in Berlin and incorporated many of the Bauhaus ideas into his commercial practice. In 1938, he moved to New York and worked in various fields of graphic design throughout his long career.

Linked Information

Fortune magazine, Vol. 22, No. 2, 1940. Cover design by Herbert Bayer
Fortune magazine, Vol. 22, No. 2, 1940. Cover design by Herbert Bayer

Herbert Bayer was an Austrian-American artist and designer and studied at the Bauhaus school. He worked across various disciplines including  graphic design, typeface design, photography, and art . He left the Bauhaus school in 1928 to pursue a career in advertising in Berlin and incorporated many of the Bauhaus ideas into his commercial practice. In 1938, he moved to New York and worked in various fields of graphic design throughout his long career.

More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Forward and a selection of poster designs entered to the Die besten Plakate des Jahres 1963. Featuring the work of Hans Hartmann, Jörg Hamburger, Jost Hochuli, and Armin Hofmann.

Members Content

One of my standout collected pieces is Erberto Carboni’s Crociere 1937 “Italia” Brochure, created for the Societa di Navigazione’s 1937 cruise schedule.

Members Content

Volkswagen commissioned a fantastic range of graphic designers, including Wolf Zimmermann, Hans Looser and Michael Engelmann. The designers amplified the brand image of Volkswagen with strikingly modern designs.
Founded in 2015, Triest Verlag für Architektur, Design und Typografie have published notable works on graphic design history, including biographies of Othmar Motter, studies on Eugen Gomringer’s typography and poetry, Ernst Keller’s teachings. Thier latest book The Birth of a Style, focuses on the influence of the Basel Educational Model on the evolution of Swiss graphic design into the renowned international style.