Gebrauchsgraphik, 02, 1954

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Content includes:
Eberhard Hölscher: A new atlas of the world
Eberhard Hölscher: The publicity of the Volkswagen Works
Anton Sailer: Maskierte Lokale • Inns and halls in fanciful disguise
Restaurants décorés pour le «Fasching>
Ludwig Ebenhöh: Beatrice und Ferdi Afflerbach, Basel. Swiss commercial art
Eberhard Hölscher: Ein Verlag wirbt. A publishing house makes propaganda.
Results of a contest in window – dressing
Anton Sailer: Der Holzschneider Eugen Sporer, München The wood – engraver
H.J.Barschel: C. Bruce Unwin, USA. American commercial art
Alexandre Alexandre: Albert Dubout, Paris. A comic strip designer and illustrator
Eberhard Hölscher: The sufferings of the Berlin heraldic bear.
«Derby», a type of the type foundry H. Berthold A.-G., Berlin/Stuttgart

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Gebrauchsgraphik, 02, 1954
Gebrauchsgraphik, 02, 1954
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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.

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