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Selected contents: Deutsche Werbegraphik 1936: Kunst und Existenz • German Advertising Art 1936: Art and Subsistence; Walter Tiemann zu seinem 60. Geburtstag • Walter Tiemann on the Occasion of his 6oth Birthday;
Selected artists: Georg Baus, Werner Beucke, Dore Mönckemeyer-Corty, Julius Gip-kens, O. H. W. Hadank, Ludwig Hohlwein, Max Körner, Bus-so Malchow, Gerhard Marggraff, Gert Pfannkuch, Walter Riemer, Oswald Voh

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Gebrauchsgraphik, 03, 1936
Gebrauchsgraphik, 03, 1936. Cover design by Eduard Sauer
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From the design archive:
From the design archive:
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Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.
Unit Editions launches Fred Troller Design on Volume – the first comprehensive survey of the work of a pioneering designer who brought Swiss modernism to America in the 1960s, via influential projects for clients including IBM, American Airlines and Geigy.

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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Advances in production and 1950s chewing gum marketing. From Wrigley's iconic "Spearman" ads to Hiroshi Ohchi's designs for Harris Chewing Gum.