Selected contents: Deutsche Werbegraphik 1936: Kunst und Existenz • German Advertising Art 1936: Art and Subsistence; Walter Tiemann zu seinem 60. Geburtstag • Walter Tiemann on the Occasion of his 6oth Birthday;
Selected artists: Georg Baus, Werner Beucke, Dore Mönckemeyer-Corty, Julius Gip-kens, O. H. W. Hadank, Ludwig Hohlwein, Max Körner, Bus-so Malchow, Gerhard Marggraff, Gert Pfannkuch, Walter Riemer, Oswald Voh
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Design Archive Feature, Illustration, Members Only Content, Studios & Collectives
Winter + Bischoff’s work blends fine art and graphic design and is a fine example of commercial design featuring a heavy use of stylistic illustration. In fact a lot of German graphic design in the 1960s has this strong relationship of commercial and professional typographic layout with the roughness and organicness of art.
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The Central School of Arts and Crafts, featured in Modernist Graphic Design in Britain 1945–1980 by Ian McLaren and Tony Pritchard.
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I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.
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