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Collected Graphic Design History from Design Reviewed

Gebrauchsgraphik, 10, 1926

Information

Special Issue on America

Details

  • Format: Magazine
  • Client/Publisher: Professor H.K. Frenzel [Editor]
  • Size: 235mm x 310mm

Linked Information

Gebrauchsgraphik, 10, 1926
Gebrauchsgraphik, 10, 1926
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Gebrauchsgraphik, 01, 1952
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Gebrauchsgraphik, 01, 1952

  • Format: Magazine
  • Year: 1952
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Museumjournaal, Serie 16 no1, 1971. Designed by Jurriaan Schrofer.
From the design archive:

Museumjournaal, Serie 16 no1, 1971

  • Format: Exhibition Catalogue
  • Designer/s: Jurriaan Schrofer
  • Year: 1971
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De Appel, Toen gij naakt en bloot waart, 1998-99. Designed by Jan Bons
From the design archive:

Toen gij naakt en bloot wart, Brochure, De Appel, 1998-99

  • Format: Brochure
  • Designer/s: Jan Bons
  • Year: 1998
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Projekt 87, 2, 1972. Cover design by Roslaw Szaybo
From the design archive:

Projekt 087, 2, 1972

  • Format: Magazine
  • Designer/s: Roslaw Szaybo
  • Year: 1972
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Further examples of the collaboration of Juan Carlos Distéfano, Ruben Fontana and Carlos Soler

In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.
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"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."
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Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.
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Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.
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