Gebrauchsgraphik, 10, 1931. Cover design by Dore Mönkemeyer-Corty

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Gebrauchsgraphik, 10, 1931.  Cover design by Dore Mönkemeyer-Corty
Gebrauchsgraphik, 10, 1931. Cover design by Dore Mönkemeyer-Corty

 

Gebrauchsgraphik, 10, 1931
Gebrauchsgraphik, 10, 1931

 

Gebrauchsgraphik, 10, 1931 Back Cover
Gebrauchsgraphik, 10, 1931 Back Cover
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I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.

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Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.