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Graphic Design History from Design Reviewed

Gebrauchsgraphik, 04, 1953

Information

Content includes:
Eberhard Hölscher: A. M. Cassandre, Paris
Walter Foitzick: Münchner Faschingsfeste · Munich Carnival Festivities
Alexandre Alexandre: Martin Engelman, Paris
Eberhard Hölscher: The lion escaped ! Carnival decorations
Ludwig Ebenhöh: Faschingsplakate von Heinz Bartkowiak, Bonndorf i. Schwarzwald
Carnival posters by Heinz Bartkowiak, Bonndorf/Black Forest
Eberhard Hölscher: Aubrey Beardsley
Ludwig Ebenhöh: Gebrauchsgraphiker · Graphic art canvassing. Exhibition of the Franconian district group
Anton Sailer: Josef Oberberger, München
Who is who?
«Dynamik», a type of the type foundry H. Berthold A.-G., Berlin/Stuttgart
Mitteilungen des Bundes Deutscher Gebrauchsgraphiker

Details

  • Format: Magazine
  • Designer/s: Jean Colin
  • Year: 1953
  • Client/Publisher: Bruckmann Verlag
  • Size: 210mm x 295mm

Linked Information

Gebrauchsgraphik, 4, 1953 cover design be Jean Colin
Gebrauchsgraphik, 4, 1953 cover design be Jean Colin

Gebrauchsgraphik, 4, 1953
Gebrauchsgraphik, 4, 1953

 

Gebrauchsgraphik, 4, 1953
Gebrauchsgraphik, 4, 1953
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What has been said about the styling of advertisements goes for the field of publicity for chemical and pharmaceutical products as well. Whether it is a soporific, an analgetic or a protein remedy for defects of malnutrition - nearly without a single word, the efficiency of the product in question is symbolically characterized in the composition and the choice of colours equally to the point, on the covers of these prospectuses. Suppositions for such achievements are the highest level and a freedom of artistic means which our businessmen, when employing commercial artists, are only too seldom ready to grant. Designs Matthew Leibowitz
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As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.

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Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.

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Design, Council of Industrial Design, 116, August 1958. Cover design by Ken Garland copy
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Ken Garland and the British magazine, Design

Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.