Gebrauchsgraphik, 9, 1967

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Content includes:
Pierre Mandell – Color in Pharmacology Studio Mendell/Oberer
Eberhard Hölscher – Austria, A Cross-Section of Industrial Art
Theodor Hilten – Grasses an Insects Photos by Helmut Bauer
Sigwart Blum – Carlos Rolando, an Argentinian Graphic Designer
Eberhard Hölscher – Fashionable Chic, New Designs by Peter Steiner
J.J. de Lucio-Meyer – Philip Thompson, London, a Versatile Artist
Ludwig Ebenhöh – French Hat-Labels
Hans Kuh – Olaf Gaumer, Commercial Art

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Gebrauchsgraphik, 9, 1967. Cover design by Carlo Bruni
Gebrauchsgraphik, 9, 1967. Cover design by Carlo Bruni
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Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.

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Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.

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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.

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I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.