Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Graphic Design 68, 1977

Information

Content includes:
Serizawa keisuke’s life and works
designer Serizawa keisuke
towards the space graphics-NASA’s Unified Visual Communications System global new waves in 70s-Japan part one Akiyama / Igarashi / Osawa / Arai / Fujiwara / Tsuji / Harata / Morishima / Tashiro / Sasao / Toda / Takino
Typo-Eye Exhibitions I • II • III
Picasso Museum in Barcelona
V.C. from Fukuda shigeo’s lecture “Has the Visual Communication Period come to an end?” winds from everywhere

Details

  • Format: Magazine
  • Designer/s: Nobuo Nakagaki
  • Year: 1977
  • Client/Publisher: Kodansha
  • Size: 260mm x 300mm

Linked Information

Graphic Design 68, 1977
Graphic Design 68, 1977. Cover design by Nobuo Nakagaki
Issue 68 of the Japanese magazine, Graphic Design (グラフィックデザイン) published in 1977.
More graphic design artefacts
Idea 072, 1965. Cover design by Antonio Morillas Verdura
From the design archive:

Idea 072, 1965

  • Format: Magazine
  • Designer/s: Antonio Morillas Verdura
  • Year: 1965
View Artefact
HQ- High Quality, Heft 21 3/1991. Designed by Büro Rolf Müller
From the design archive:

HQ- High Quality, Heft 21 3/1991

  • Format: Magazine
  • Designer/s: Rolf Müller
  • Year: 1991
View Artefact
IBM Electronic Typestyles Catalogue
From the design archive:

IBM Electronic Typestyles Catalogue

  • Format: Type Specimen
View Artefact
Interiors, February 1959. Cover design by Arnold Saks
From the design archive:

Interiors, February 1959

  • Format: Magazine
  • Designer/s: Arnold Saks
  • Year: 1959
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Engineering, British Job Centre Postcard, mid to late 1970s
  • Design Archive Feature, Members Only Content

Friendliness and Efficiency. 1970s Postcards for the British Job Centre

The designer is unstated on these postcards, which were designed during the mid to late 1970s, but these playful illustrations alongside what looks to be Frankfurter Bold definitely fit the criteria of friendliness and efficiency

Members Content

Unimark International and the visual identity of South-African manufacturer, DEFY.
  • Design Archive Feature, Members Only Content

Unimark International and the visual identity of South-African manufacturer, DEFY.

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.

Members Content

Bundesministerium für Post und Telekommunikation, Poster, 1956 designed by Hans Schweiss. Scanned from Gebrauchsgraphik 06, 1956
  • Design Archive Feature, Members Only Content

Posters from the 1956 Best German Posters Awards (Die besten Plakate des Jahres)

Gebrauchsgraphik 06, 1956 features a selection of the posters entered into the 1956 awards. It is unknown how many entries were submitted to the 1956 awards but a total of 21 posters were awarded.

Members Content

"Kissho, Shofuku, Hanjo" Tadanori Yokoo's Silkscreen Poster Exhibition in 1997
  • Design Archive Feature, Members Only Content

“Kissho, Shofuku, Hanjo” Tadanori Yokoo’s Silkscreen Poster Exhibition in 1997

In 1997 Tadanori Yokoo showcased 31 new silkscreens at the Ginza Graphic Gallery in Tokyo. Many of these works were previously unseen, and I was fortunate enough to discover a feature in a back issue of Idea magazine that showcased the full collection of silkscreen posters.