Graphis 71, 1957

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Content includes:
France d’aujourd’hui (Francois Stahly)
Reflections on Present-Day Graphic Art in France (Raymond Cogniat)
Advertising Art in France (Marcel Zahar)
The Renaissance of Church Art in France (Luce Hoctin)
Ceramics and Small Sculpture by Painters (Alain Jouffroy)
Picasso. New Clay Casts from Original Plaster Moulds (B. Gheerbrant)
New French Tapestry (Denys Chevalier)
French Stage Design (Luce Hoctin)
Air France (Charles Rosner)
Groforel. Three-Dimensional Typography (H. Steiner)

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Graphis 71, 1957. Cover design by Phillipe Delessert.
Graphis 71, 1957. Cover design by Phillipe Delessert.
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Members Content

Gebrauchsgraphik 06, 1956 features a selection of the posters entered into the 1956 awards. It is unknown how many entries were submitted to the 1956 awards but a total of 21 posters were awarded.

Members Content

Rastorfer transformed the advertising of Volkswagen and his work contrasted with that of the previously commissioned designers. It reiterates the importance of finding a designer who can transform your vision and adverting and how the significance of consistent messaging across advertisements, contributes to the creation of a memorable campaign 
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.
A short free-to-access feature on Swiss Design. The movement was influenced by Bauhaus and De Stijl, sought clarity and visual unity, making it a powerful force in global graphic design that remains influential today.