Information

Content includes:
The World Masters: 12 Ikko Tanaka by Shouji Katagishi
1991 Tokyo ADC Awards Shigeo Fukuda
Modern Finland Posters 4 Exhibit, Kyllikki Salminen, Tapani Aartomaa, Kari Piippo, Pekka Loiri Noboru Matsuura
International Poster Triennale in Toyama ’91, Gold Prize Winning Artist, Michel Quarez
An Illustrator Who Draws the Spiritual World, Roy Pendleton
Suntory Granville Collection: 1, 1890’s, The Birth of Modern Posters Makoto Nakamura
The Beauty of Composition by Guenter Knop Duncan Christy
Super Designing 2 Masami Nishiko
Roy Lichtenstein & Andy Warhol – Pop Muses Exhibition Akiko Hyuga
de Harak & Poulin Associates, Inc. and Richard Poulin
Conqueror Corporate Stationery Design Competition ’91, Letterheads of Japan, Now in Our Sight Katsumi Asaba
Rock Roll with Susumu Sato Jim Ferrante
Well Designed Products Selected by the Design Ceneter Ishikawa Haruaki Matsuyama
Kazuaki Iwasaki • Space Design Takeo Yao
Photographer in the Field of Music and Fashion, Todd Gray
Series 28: Art in New York Today, Telescopic World of Yvonne Jacquette Shoichiro Higuchi
Book Review, News & Information, Addresses of Contributors

Details

Linked Information

Idea 230, 1992-01. Cover design by Ikko TanakaIdea 230, 1992-01. Cover design by Ikko Tanaka
Idea 230, 1992-01. Cover design by Ikko Tanaka

 

Idea 230, 1992-01
Idea 230, 1992-01

 

Idea 230, 1992-01
Idea 230, 1992-01
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.

Members Content

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.