Idea 320, 2007-1

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Content includes:
Special feature: Medium-Specific – things and thoughts on printed matter Nobuhiro Yamaguchi, Kazuya Kondo, Daishiro Mori, Hideki Nakajima
Nouvelle Vague ‘Bande a part’ Artwork Revisited Dylan Kendle & Julie Verhoeven
Designers and the political – An interview with Daniel van der Velden
“Zine Library” No.12 gallery and Nieves Books presents: Taro Hirano and Benjamin Sommerhalder
design mannerism vol.7 “Typus Typographicum” Text by Hiroshi Takayama
On Hand Lettering vol.5 Chapter II “Fascination of letters – hand lettering for cinema advertising ” Part 2 Koga Hirano, Naomichi Kawahata and Osamu Torinoumi

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Idea 320, 2007-1
Idea 320, 2007-1
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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In December 1924, the Netherlands introduced children's stamps (Kinderzegels). Over the years, these stamps have featured designs by some of the most prominent Dutch designers, including Gerard Kiljan, P. Koch, Gerrit Noordzij, Otto Treuman, Robert Deodaat Emile ‘Ootje’ Oxenaar, Dick Bruna, Jan van Toorn, and Karel Martens.

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Yoshio Hayakawa is one of Japan’s most influential post-war poster designers. His work represents a fusion of traditional Japanese art and European modernism often using soft, poetic brushstrokes and refined colour palettes and capturing the elegance of Japanese aesthetics while integrating the clean lines and bold visual language of Western design.

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Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.

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His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.