Idea 329, 2008

Information

Content includes:
Special Feature: Typo-Graphics of Herb Lubalin
Alan Fletcher: Fifty Years of Graphic Work (and Play) – Text by Emily King
“sans serif does not represent the final stage”
karl gerstner international designer, artist and author, new books and a new typeface. – Text and Design by Helmut Schmid
drawing works of Isao Makino
A Cultural History of Contemporary Design Vol. 1 Masaki Kojima – Text by Idea with Barbora
Interview with Fumio Tachibana “about Kyutai”
Comments from Tasuya Ariyama, Gabin Ito, Yoshihisa Shirai, HeiQuiti Harata
The History of Typos – Text and Design by Hirokazu Mukai
A Recent History of Writing and Drawing – by Alex Rich and Jurg Leni
My Famicase (NES cartridge) Design Exhibition 2008

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Linked Information

Idea 329, 2008
Idea 329, 2008
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.
Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.

Members Content

Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.
The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.