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Graphic Design History from Design Reviewed

Idea 386, 2019-7

Information

MINISTRY OF GRAPHIC DESIGN FIKRA GRAPHIC DESIGN BIENNIAL 01 INDEX
Dept. of Graphic Optimism
Dept. of Mapping Margins
Dept. of Non-Binaries
Dept. of Flying Saucers
Dept. of Dematerializing Language
Interview: Graphic Design Practices in the Middle East
Office of the Archive
OK-RM Narrative Project Derived from the Conversation

Details

  • Format: Magazine
  • Year: 2019
  • Client/Publisher: Seibundo Shinkosha Publishing Co
  • Size: 226mm x 297mm

Linked Information

Idea 386, 2019-7
Idea 386, 2019-7
More graphic design artefacts
Bernd Damke, Prinzip Seriel, Kunstmuseum Düsseldorf, 1975
From the design archive:

Bernd Damke, Prinzip Seriel, Kunstmuseum Düsseldorf, 1975

  • Format: Exhibition Catalogue
  • Year: 1975
View Artefact
Media Information Vol. 2, No. 1, Issue 4, January 1981
From the design archive:

Media Information Vol. 2, No. 1, Issue 4, January 1981

  • Format: Magazine
  • Year: 1981
View Artefact
Alphabet and Image 7, Shenval Press, 1948
From the design archive:

Alphabet and Image 7, Shenval Press, 1948

  • Format: Magazine
  • Year: 1948
View Artefact
Typografia, ročník 66, 09, 1963. Cover design by Vladimír Janský
From the design archive:

Typografia, ročník 66, 09, 1963

  • Format: Magazine
  • Designer/s: Vladimír Janský
  • Year: 1963
View Artefact

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More graphic design history articles

Members Content

Juan Carlos Distefano, Exhibition Catalogue
  • Design Archive Feature, Members Only Content

Juan Carlos Distefano and the Design and Publicity for the Instituto di Tella, Buenos Aires

Jean Carlos Distefano is an Argentinian artist, designer and teacher. He designed a range of posters, programmes brochures and book covers alongside Juan Andralis, Humberto Rivas and Roberto Alvarado for the Instituto di Tella, Buenos Aires.

Members Content

Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature, Members Only Content

Yūsaku Kamekura. Japanese Graphic Designer | 1915 – 1997

Yūsaku Kamekura had a long list of clients and as well as cover designs, he worked across logo and brand design, packaging, book design, and other printed matter, but he is particularly known for his poster design. His clients included Nikon, Tokyo 1964 Olympics, Meiji and TDK.

Members Content

Posters for the Shell Service Stations by Frank Eidlitz
  • Design Archive Feature, Members Only Content

Arrows of Advertising – An Australian Shell Poster Campaign designed by Frank Eidlitz

A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.

Members Content

Artefacts designed by Ken Garland
  • Design Archive Feature, Members Only Content

Ken Garland and Galt Toys

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.