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Graphic Design History from Design Reviewed

Idea 389, 2020-4

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  • Format: Magazine
  • Year: 2020
  • Client/Publisher: Seibundo Shinkosha Publishing Co

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Idea 389, 2020-4
Idea 389, 2020-4
More graphic design artefacts
Eye, Issue 067, Spring 2008
From the design archive:

Eye, Issue 067, Spring 2008

  • Format: Magazine
  • Year: 2008
View Artefact
IDEA Special Issue - American Trademarks & Logotypes, 1987
From the design archive:

IDEA Special Issue: American Trademarks & Logotypes, 1987

  • Format: Magazine/Book
  • Year: 1987
View Artefact
Museumjournaal, Serie 14 no 1, 1969. Design by Jurriaan Schrofer
From the design archive:

Museumjournaal, Serie 14 no 1, 1969

  • Format: Exhibition Catalogue
  • Designer/s: Jurriaan Schrofer
  • Year: 1969
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Idea 252, 1995. Cover design by Tomato
From the design archive:

Idea 252, 1995

  • Format: Magazine
  • Designer/s: Tomato
  • Year: 1995
View Artefact

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More graphic design history articles

Members Content

Trademarks of the World, Yusaku Kamekura, 1958
  • Design Archive Feature, Members Only Content

Paul Rand on Japanese Trademark Design

Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.
The Birth of a Style. The Influence of the Basel Educational Model on Swiss Graphic Design, Triest Verlag, 2024 
  • Design Books

The Birth of a Style The Influence of the Basel Educational Model on Swiss Graphic Design

Founded in 2015, Triest Verlag für Architektur, Design und Typografie have published notable works on graphic design history, including biographies of Othmar Motter, studies on Eugen Gomringer’s typography and poetry, Ernst Keller’s teachings. Thier latest book The Birth of a Style, focuses on the influence of the Basel Educational Model on the evolution of Swiss graphic design into the renowned international style.

Members Content

pintori-olivetti
  • Design Archive Feature, Members Only Content

Giovanni Pintori and his definitive visual language for Olivetti

Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.

Members Content

FUN, October 16, 1869
  • Design Archive Feature, Members Only Content

Victorian Graphic Design in Britain and America

Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.