Industrial Art News – Vol. 25, No. 5, June 1957

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Content includes:
Design Promotion conducted by Local Government
Fair and Exhibition Number
Textiles USA – Bernard Rudofsky
The Initial Model of the Japanese Exhibits for the #Triennale” writte/p:/ttp:/www..SelkEKiyoshi. Pavilion at the Brussels
Universal and International Exhibition 1958 – MIKAMI Yuzo
Displaying the Bicycles – IAI Guidance Section
Miscellaneous Impressions on Exhibitions from the Stand-point of a Planner – AZUMA Shunichi
My Memo on the Japanese Representation at the Foreign Exhibitions – MURATA Hisashi
Industrial Arts Institute Travelling Exhibition – IAI Guidance Section
Display of the Japan Machinery Floating Fair
A Word from the Stand-point of My Profesion as an Exhibition Builder
Japan International Trade Fair -KOGUCHI Kenji
Reports on the First United States World Trad Fair
Olivetti Products Show at Bunshodo Show-room
Design : Wooden Bowls and Containers, given unique texture applying the traditional turning method – IAI Design Section
An Inspection of Industrial Design in America (5) – TOYOGUCHI Katsuhei
Cover Design : KENMOCHI Isamu (Our Cover Artist)

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Industrial Art News - Vol. 25, No. 5, June 1957. Cover design by Isamu Kenmochi
Industrial Art News – Vol. 25, No. 5, June 1957. Cover design by Isamu Kenmochi
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Gabriel sent me a link to his amazing Uruguayan Graphic Design Archive when I launched Design Reviewed. The content was so amazing, I ended up spending a good hour looking through the content and it has definitely made it to my bookmarks.

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.
In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.

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A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.