Industrial Design, 02, April 1954

Information

A bi-monthly review of form and technique in designing for industry. Published for industrial designers and the design executives throughout industry who are working in the fields of product design, development and marketing.

Content includes
What is Happening to the Office? by Eric Larrabee
Man-Tailored Steel by Stephen V. Grancsay
Design as Communication by George Nelson
The Black Box by John Pile
New Equation for the Classroom
REdesign: some new ways to cross old streams
Plastics on the Table
Prime Mover: The American Tractor
A Talk with Mr. Stuart of Martin-Senour
Triumph Over Scale
TV on Tape
The Designer’s Stake in the Changing American Market by Stan Wellisz
Cars ’54
Designs from Abroad
Shapes as Identifiers by Ladislav Sutnar
With Nothing but Wood: Japanese Architecture
Design Review: Good Design

Details

Linked Information

Industrial Design, 02, April 1954. Cover design by Alvin Lustig
Industrial Design, 02, April 1954. Cover design by Alvin Lustig
A bi-monthly review of form and technique in designing for industry. Published for industrial designers and the design executives throughout industry who are working in the fields of product design, development and marketing.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past

Members Content

Advertisements from post-World War II Britain for British Aluminium Company. Designs by Abram Games, Tom Eckersley, FHK Henrion, Pat Keely, and James Hart, who collectively crafted over 100 four-color and 300 black-and-white advertisements.

Members Content

Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.

Members Content

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.