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Graphic Design History from Design Reviewed

Interiors, March 1959

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Details

  • Format: Magazine
  • Designer/s: Arnold Saks
  • Year: 1959
  • Client/Publisher: Whitney Publications
  • Size: 225mm x 302mm

Linked Information

Interiors, March 1959. Cover design by Arnold Saks
Interiors, March 1959. Cover design by Arnold Saks
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Graphische Nachrichten, Vol 15, May 1936
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Graphische Nachrichten, Vol 15, May 1936

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  • Year: 1936
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Jan Tschichold, Leben und Werk des Typographen, Verlag der Kunst, 1977
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Jan Tschichold, Leben und Werk des Typographen, Verlag der Kunst, 1977

  • Format: Book
  • Designer/s: Jan Tschichold
  • Year: 1977
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Kunst en Kind Stedelijk Museum Amsterdam, 1949 designed by Willem Sandberg
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Kunst en Kind Stedelijk Museum Amsterdam, 1949

  • Format: Exhibition Catalogue
  • Designer/s: Willem Sandberg
  • Year: 1949
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Graphic Design 70, 1978
From the design archive:

Graphic Design 70, 1978

  • Format: Magazine
  • Designer/s: Takahisa Kamijō
  • Year: 1978
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Members Content

Kazumasa Nagai. Japanese Graphic Designer | 1929
  • Design Archive Feature, Members Only Content

Kazumasa Nagai. Japanese Graphic Designer | 1929

Kazumasa Nagai  (永井 一正) was born in 1929 in Osaka and is one of Japan's most acclaimed graphic designers. He designed iconic corporate logos for major companies such as Mitsubishi UFJ, Japan Railways, Nissin, and TEPCO and designed 100s of posters.
Frank René Testemale’s IBM Advertising in France. Scanned from Gebrauchsgraphik, 4, 1964.
  • Design Archive Feature

Frank René Testemale’s IBM Advertising in France by Alexandre Alexandre, 1964

IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.
Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature

Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

Members Content

Graphis 124, 1966. Cover design by Toshihiro Katayama.
  • Design Archive Feature, Members Only Content

The Structured Forms of Toshihiro Katayama

Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.