Printing Review, No 33, 1940

Information

Content includes:
Printing – The Guarantor of Progress
The Paper Outlook by “Scrutineer”
The Author as a Printer by Charles H. Lea
The B..F. Propaganda bAlec Davis
Revivals of Lithography by E. Kilburn Scott
What the New Typography Aims At by L. Moholy-Nagy
Some Printers’ Calendars
Setting up Modern Presses by A. G. Arend
Packaging and Printing by Spading Black
The Advantages of Exuberance by Anthony Sutcliffe
Correspondence on the Johnson Scheme
Planning Typographic Layouts by Glenn M. Pagett
Four Important Trend by Watson M. Gordon
Turning over New Leaves
Round the Globe
The Trend of Things

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Printing Review, No 33, 1940
Printing Review, No 33, 1940
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Kohei Sugiura’s work spans an impressive range of mediums, including record jackets, publication covers, posters, exhibition catalogues, and stamps. He perfectly merged functionality and data visualisation with aesthetics. Drawing on his background in architecture, Sugiura applied a systematic, programmatic methodology to graphic design, similar to the approach of Swiss designer Karl Gerstner. 

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A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.
The Cuban film poster conveys the spirit and ideals of the Cuban revolution. A time of political change, an uprising that ended the brutal dictatorship of Fulgencio Batista. The Danish Film Institute have a collection of Cuban Film Posters from the past 50 years.

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KLM's brand evolution by Henrion Design Associates. Founded in 1919, KLM is the world's oldest operating airline. In 1961, Henrion Design Associates redesigned the iconic brand, overcoming challenges of standardisation and outdated aesthetics.