Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Projekt 100, 3, 1974

Information

The Polish Journal of visual art and design

Details

  • Format: Magazine
  • Designer/s: Hubert Hilscher
  • Year: 1974
  • Size: 235mm x 310mm

Linked Information

Projekt 100, 3, 1974. Cover design by Hubert Hilscher
Projekt 100, 3, 1974. Cover design by Hubert Hilscher
More graphic design artefacts
Typografia, ročník 74, 11, 1971. C over design by Bohuslav Blažej
From the design archive:

Typografia, ročník 74, 11, 1971

  • Format: Magazine
  • Designer/s: Bohuslav Blažej
  • Year: 1971
View Artefact
Fodor 34, 1976 - Ria Rettich. Designed by Wim Crouwel and Daphne Duijvelshoff (Total Design)
From the design archive:

Fodor 34, 1976 – Ria Rettich

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Daphne Duijvelshoff (Total Design)
  • Year: 1976
View Artefact
Typografia, ročník 71, 09, 1968. Cover design by Jiří Rathouský
From the design archive:

Typografia, ročník 71, 09, 1968

  • Format: Magazine
  • Designer/s: Jiří Rathouský
  • Year: 1968
View Artefact
Gebrauchsgraphik, 7, 1959
From the design archive:

Gebrauchsgraphik, 07, 1959

  • Format: Magazine
  • Year: 1959
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Genossenschaft USOGAS Zürich designed by Donald Brun, Basel, 1956
  • Design Archive Feature, Members Only Content

Swiss Posters from the 1956 Best Poster Award (Die besten Plakate des Jahres 1956)

The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.

Members Content

Nobuyoshi Yamada Poster (Kriemhild's Revenge) 1925. Scanned from Modernism on Paper 1920s-30s Japanese Graphic Design, Rikuyosha, 2003
  • Design Archive Feature, Members Only Content

1920s Publicity Design of the Shochikuza Theatre

Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.

Members Content

FUN, October 16, 1869
  • Design Archive Feature, Members Only Content

Victorian Graphic Design in Britain and America

Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.
mlfineart-matteolampertico-franco-grignani-dissociazione-al-bordo-n.-145-1967 copy
  • Designer Interview

My Grandfather Franco Grignani, with Emiliano Grignani

Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.