Richard Paul Lohse

Ricard P. Lohse, Prinzip Seriel, Kunstmuseum Düsseldorf, 1972

Information

Details

Linked Information

Ricard P. Lohse, Prinzip Seriel, Kunstmuseum Düsseldorf, 1972
Ricard P. Lohse, Prinzip Seriel, Kunstmuseum Düsseldorf, 1972
Ricard P. Lohse, Prinzip Seriel, Kunstmuseum Düsseldorf, 1972
Ricard P. Lohse, Prinzip Seriel, Kunstmuseum Düsseldorf, 1972
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.

Members Content

These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.
Every year the 20 best posters are selected in Germany and once more brought to the attention of the public. We do not publish all the twenty posters today; instead we add some which failed to be distinguished and which nevertheless are distinguished.