TypeNotes: A journal dedicated to typography & graphic design, No.3 2020

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Content includes:
One billboard in Powderhorn, Minneapolis – Erik Brandt’s garage gallery goes global
The arty type – Kern-ceptual-from Ed Ruscha to Tracey Emin, via Bob and Roberta Smith, and the Guerrilla Girls
Five things… to tackle creative block – Pum Lefebure, Design Army
The big typographic night out – East London letters and the night bus home
Never the bridesmaid, always St Bride – Meet Fleet Street’s hidden gem -then plan a visit
Five things… to tackle creative block – Dava Guthmiller, Noise 13
After hours – Inspiration out of the office
Variable is the spice of type – Phil Garnham delves into variable type
Get with the programme – A treasure trove of typography at the BFI
Five things… to tackle creative block – Luke Brown, The Company You Keep
That’s the spirit – A look at what makes some bottles more quaffable than others
Pulp culture – Chris Bolton takes us through his best beer mats
Sketching it out… – Meander through Adam Higton’s otherworldly sketches
For the beauty of writing – The ABC of orthotypography
Five things… to tackle creative block – Chris Pitney, freelance designer
Estd. 1926 – Behind the scenes with Perrott Bespoke Printing
A guide to type styles – A quick look at typographic groupings
Lovely Corita – The Hollywood sister and graphic design luminary finally getting her due
Five things… to tackle creative block – David Heasty, Triboro
Mad Men – Georgia Fendley, Construct, grapples with her controversial design hero Jean-Paul Goude
To the point – Question mark & exclamation mark
Letters page – From the pens and pencils of Fontsmith

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TypeNotes - A journal dedicated to typography & graphic design, No.3 2020
TypeNotes – A journal dedicated to typography & graphic design, No.3 2020
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.

Members Content

Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.
The UK’s first vintage poster market is to launch as a 3-day pop-up at the Copeland Gallery in Peckham 14-16 May. Entry is free.
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.