Visible Language (The Journal of Typographic Research), Vol 02, 01, January 1968

Information

Content includes:
Semantic Differentials of Typefaces as a Method of Congeniality Research, Dirk Wendt
The Design of Egyptian 505, André Gürtler
Words in Color: Two Experimental Studies, L. R. Hinds and W. G. Dodds
Research Report on Color Story Reading, F. Kenneth Jones
Unjustified Composition on the Rotterdamsch Nieuwsblad, C. H. Evers

Details

Linked Information

Visible Language (The Journal of Typographic Research, Vol 02, 01, January 1968
Visible Language (The Journal of Typographic Research, Vol 02, 01, January 1968
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Every year the 20 best posters are selected in Germany and once more brought to the attention of the public. We do not publish all the twenty posters today; instead we add some which failed to be distinguished and which nevertheless are distinguished.
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.
My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.
In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.