Visible Language, Vol 08, 04, Autumn 1974

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Content includes:
Aspects of Graffiti by Robert Kostka
Visual Syntax of Concrete Poetry by Aaron Marcus
Four Surrealist Images by Edward Germain
Records, Writing, and Decipherment by I. J. Gelb

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Visible Language, Vol 08, 04, Autumn 1974
Visible Language, Vol 08, 04, Autumn 1974
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.

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Banks & Miles, were founded in 1958 by Colin Banks and John Miles and became renowned for their design work with major British institutions and companies. They made significant contributions to type design and corporate identity.