Visible Language, Vol 10, 04, Autumn 1976

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Content includes:
Internalization of English Orthographic Patterns by Robert H. Secrist
Notes on the History of English Spelling by Richard L. Venezky
The Phonological Relevance of Spelling Pronunciation by Andrew Kerek
Digraphia in Advertising: The Public as Guinea Pig by James Jaquith
Methods and Theories of Learning to Spell Tested by Studies of Deaf Children by Arthur I. Gates, Esther H. Chase

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Visible Language, Vol 10, 04, Autumn 1976
Visible Language, Vol 10, 04, Autumn 1976
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
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More graphic design history articles
Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.

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Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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Karl Oskar Blase was born in 1925 in Cologne, Germany. He was a prolific painter, designer, sculptor and exhibition curator. His work included magazine covers, for publications such as Form and Gebrauchsgraphik, stamp designs for the German Postal Service and film posters for companies such as Atlas Films.