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Graphic Design History from Design Reviewed

Visible Language, Vol 12, 03, 1978

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  • Format: Magazine
  • Year: 1978
  • Size: 154mm x 233mm

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Visible Language, Vol 12, 03, 1978
Visible Language, Vol 12, 03, 1978
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We hire professional workers for healthy housing, Czechoslovakian 1960s Matchbox labels
From the design archive:

We hire professional workers for healthy housing, Czechoslovakian 1960s Matchbox labels

  • Format: Matchbox labels
  • Year: 1960s
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Graphic Design 85, 1982
From the design archive:

Graphic Design 85, 1982

  • Format: Magazine
  • Designer/s: Ikko Tanaka and Zenji Funabashi
  • Year: 1982
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Bauen+Wohnen, 3, 1957. Graphic design by Emil Maurer
From the design archive:

Bauen+Wohnen, 3, 1957

  • Format: Magazine
  • Designer/s: Emil Maurer
  • Year: 1957
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Fodor 17, 1974 - Kees Otten. Designed by Wim Crouwel and Daphne Duijvelshoff (Total Design)
From the design archive:

Fodor 17, 1974 – Kees Otten

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Daphne Duijvelshoff (Total Design)
  • Year: 1974
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Herbert Bossin - Typographic Compositions with Folio
  • Design Archive Feature, Members Only Content

Herbert Bossin and his Typographic Compositions with Folio

The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.

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Wolfgang Bäumer, Singular Graphic Composition, the advertisements of the Klöckner-Werke AG
  • Design Archive Feature, Members Only Content

Wolfgang Bäumer, Singular Graphic Composition, the advertisements of the Klöckner-Werke AG

Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.

Members Content

Showcard for Harris Co., Ltd. Designed by Hiroshi Ohchi Scanned from Idea 11, 1955
  • Design Archive Feature, Members Only Content

Advertising that Sticks. Examples of 1950s Chewing Gum Advertising

Advances in production and 1950s chewing gum marketing. From Wrigley's iconic "Spearman" ads to Hiroshi Ohchi's designs for Harris Chewing Gum.

Members Content

Wolfgang Weingart - Pioneer of Swiss New Wave
  • Design Archive Feature, Members Only Content

Wolfgang Weingart – Pioneer of Swiss New Wave

Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.