Emil Ruder

Designer: Emil Ruder

Emil Ruder apprenticed as a compositor in Zurich from 1929 to 1933 and later studied in Paris in 1938. He attended the School of Arts and Crafts in Zurich from 1941 to 1942, focusing on lettering and book design under Walter Kaech. From 1942, Ruder has taught typography at the School of Arts and Crafts in Basel, becoming head of the arts and crafts section in 1947. He has received numerous awards for his work, including prizes for the best books of the year and best posters of the year.

Articles Featuring the Work of Emil Ruder

Artefacts Featuring the Work of Emil Ruder

From the design archive:
From the design archive:
From the design archive:
From the design archive:
From the design archive:
From the design archive:
From the design archive:

More from Design Reviewed

Members Content

A 1,500 essay on the transformative era of graphic design from the 1970s to the 1990s. Moving beyond the constraints of modernism, designers like Wolfgang Weingart and April Greiman redefined visual communication through bold experimentation with type, colour, and early computer graphics. This essay highlights how postmodernism and New Wave design introduced complexity, individuality, and digital innovation in to graphic design.

Members Content

Yoshio Hayakawa is one of Japan’s most influential post-war poster designers. His work represents a fusion of traditional Japanese art and European modernism often using soft, poetic brushstrokes and refined colour palettes and capturing the elegance of Japanese aesthetics while integrating the clean lines and bold visual language of Western design.

Members Content

The Bauhaus approach to design emphasised simplicity, functionality, and the integration of modern technologies and materials. A century later, many of the principles taught at the school remain fundamental to contemporary design practices.