Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office and Midori Imatake
Cover Design: Miriam Wosk

Content includes:
Miriam Wosk by Milton Glaser
Art Attack by Takenobu Igarashi
George Hardie by Akiko Hyuga
Anne Stienstra, GK Industrial Design Associates by Midori Imatake
Push Pin Studios Opens New Media Art Gallery by Shin’ichiro Tora
“Anamorphosis Exhibition,” Visual Game of Perspective by Shigeo Fukuda, Shigeru Watano
Marcel Mariën by John Lyle
T. Yokoo’s One-man Show by Masanori Ohe
Yoshi Sekiguchi: 12 Years in the U. S. A.
New Typography in the Making by Masahiko Kozuka
Dolmen Press by Liam Miller
Basil Pao – A Young Designer from the West Coast of the United States
Works of Kyo Takahashi
Hall of Fame
Ad Directions ’75
Tony Meeuwissen
Literary Monument Designed by Kenji Itoh, Graphic Designer
Satoshi Kondo: Print Exhibition

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Linked Information

Idea 136, 1976-5. Cover design by Miriam Wosk
Idea 136, 1976-5. Cover design by Miriam Wosk

More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Albrecht Ade's students produced some great typographic compositions and print work in his typography class, here's a selection of the work and information about Albrecht Ade.

Members Content

Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.
Oskar Reiner advertisements for Opel distinguish themselves by clarity and visually appealing conception.

Members Content

The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.