Information

Cover Design: Gunter Rambow

Content includes:
The World Masters: 3 Gunter Rambow Heiner Muller
The 32nd Society of Illustrators Exhibition Shinichiro Tora
Kyosti Varis
Robert Giusti
The Sixth Colorado International Poster Exhibition Laura Sandell
Robert Qually / Qually & Company, Inc.
Chris Callis
ERTE Shinichiro Tora
The Trick Shigeo Fukuda
Shitro Tazumi
Swiss Style of Odermatt & Tissi Shigeru Watano, Yachiyo Matsuzaki
Series 19: Art in New York Today Ö@ Jeff Gompertz, ÖAMichael Zwack Shoichiro Higuchi
Special Feature: ’90 Graduation Works of Graphic Design Students Masuteru Aoba
1989 The Mainichi Design Awards
Visual Design Art of 74th NIKA Exhibition
The 50th Annual Exhibition of Art Culture Association
Overseas News, Domestic News, Addresses of Contributors, Book Review and Exhibition News

Details

Linked Information

Idea 221, 1990-7. Cover design by Gunter Rambow
Idea 221, 1990-7. Cover design by Gunter Rambow
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Perusing an issue of Der Druckspiegel from 1962, I found these fantastic examples of Swiss Design, produced for the University Ball at the University in St. Gallen, Switzerland, in 1961. The advertising matter included posters, newspaper advertisements, cinema slides, invitation cards and a booklet. 
Every year the 20 best posters are selected in Germany and once more brought to the attention of the public. We do not publish all the twenty posters today; instead we add some which failed to be distinguished and which nevertheless are distinguished.

Members Content

The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.
Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.