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Content includes:
Anton Schob (Zurich): Max Hunziker. Direct Relief Etchings
John Halas (London): Graphic Design in Television
Manuel Gasser (Zurich): Graphic Irony
Henri Lhote (Paris): The Tassili Frescoes
P.K. Thomajan (New York): Eric Carle
B. von Grunigen (Basel): Walter Grieder
Heiri Steiner (Zurich): Helmuth Kurtz
Truman Capote (New York): Richard Avedon – Portraits
Yvon Taillandier (Paris): Galerie Berggruen, Paris. Artistic Gallery Catalogues

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Graphis 86, 1959. Cover design by Max Hunziker.
Graphis 86, 1959. Cover design by Max Hunziker.
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Unit Editions launches Fred Troller Design on Volume – the first comprehensive survey of the work of a pioneering designer who brought Swiss modernism to America in the 1960s, via influential projects for clients including IBM, American Airlines and Geigy.
The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

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Volkswagen commissioned a fantastic range of graphic designers, including Wolf Zimmermann, Hans Looser and Michael Engelmann. The designers amplified the brand image of Volkswagen with strikingly modern designs.

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The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.