Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Graphis 125, 1966

Information

Content includes:
Jan Lenica, Warszawa: First International Poster Biennale in Warsaw
Darwin M. Bahm, New York: The Assemblage as Editorial and Advertising Art
Manuel Gasser, Zürich: Jules Feiffer
Arai Seiichiro, Tokio: Masuda Tadashi Design Institute, Tokyo
George Perry, London: Design and Art Direction ’66, London
Gyorgy Kepes, Cambridge, Mass.: Light as a Creative Medium

Details

  • Format: Magazine
  • Designer/s: Eugene Hoffmann
  • Year: 1966
  • Client/Publisher: Graphis Press
  • Size: 235mm x 300mm

Linked Information

Graphis 125, 1966. Cover design by Eugene Hoffmann.
Graphis 125, 1966. Cover design by Eugene Hoffmann.
More graphic design artefacts
Der Druckspiegel, 12, December 1962 back
From the design archive:

Der Druckspiegel, 12, December 1962

  • Format: Magazine
  • Designer/s: Kurt Weidemann
  • Year: 1962
View Artefact
Fodor 33, 1976 - Gielijn Escher, Affiches. Designed by Wim Crouwel and Daphne Duijvelshoff (Total Design)
From the design archive:

Fodor 33, 1976 – Gielijn Escher, Affiches

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Daphne Duijvelshoff (Total Design)
  • Year: 1976
View Artefact
Der Druckspiegel, 12, December 1968
From the design archive:

Der Druckspiegel, 12, December 1968

  • Format: Magazine
  • Designer/s: Dieter Kani
  • Year: 1968
View Artefact
Visible Language, Vol 13, 03, 1979
From the design archive:

Visible Language, Vol 13, 03, 1979

  • Format: Magazine
  • Year: 1979
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Hermann Rastorfer, VW 1500 Advertisment. Early 1960s. Scanned from Gebrauchsgraphik, 07, 1962 Cropped
  • Design Archive Feature, Members Only Content

A New Visual Aesthetic. Hermann Rastorfer and the advertising for Volkswagen

Rastorfer transformed the advertising of Volkswagen and his work contrasted with that of the previously commissioned designers. It reiterates the importance of finding a designer who can transform your vision and adverting and how the significance of consistent messaging across advertisements, contributes to the creation of a memorable campaign 
Read Article

Members Content

design-reviewed-twitter
  • Design Archive Feature, Members Only Content

Industrial Design Magazine – American Modernist Inspiration

Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.
Read Article
Frank René Testemale’s IBM Advertising in France. Scanned from Gebrauchsgraphik, 4, 1964.
  • Design Archive Feature

Frank René Testemale’s IBM Advertising in France by Alexandre Alexandre, 1964

IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.
Read Article
Radici, Graphic Design from Hypertextuality to Hyperknowledge (Radici, La Grafica dall’Ipertestualità all’Iperconoscenza), 2021.
  • Designer Interview

Katia Pecoraro: The dualism between system and freedom, design and life.

"Talking about myself as a designer is something that requires a powerful dialogue with my life experiences. In a radical way, I apply an exercise in which design forms become projections of life, extensions of meaning that constantly involve senses."
Read Article