Graphic Design 39, 1970

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Content includes:
Jay Maisel’s recent work Masaru Katsumi
Masaru Katsumi Concerning the Binding of Hiroshi Hara
Foron’s recent drawings Shuntaro Tanikawa
World Exposition 4 Japan World Exposition and the Problem of Visual Communication Masaru Katsumi
New Vistas in Design Izuo Sakane
Two Dutch House Styles Yukio Ota
Akio Kanda, , which boosted the momentum for the development of new typefaces
Record of the production of the official guide map for the Japan World Expo Tsutomu Matsumori
Techne Chasing an unseen voice Kazuyoshi Akiyama

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 39, 1970. Cover design by Jay Meisel and Hiroshi Hara
Graphic Design 39, 1970. Cover design by Jay Meisel and Hiroshi Hara
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."

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Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.
I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.