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Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff
Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff / Stefan Kanchev

 

Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff
Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff/ Stefan Kanchev

 

Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff
Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff/ Stefan Kanchev

 

Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff
Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff/ Stefan Kanchev

 

Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff
Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff/ Stefan Kanchev

 

Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff
Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff/ Stefan Kanchev

 

Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff
Folklore, Bulgarian Stamps, 1982. Designed by Stephan Kantscheff/ Stefan Kanchev
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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.

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A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.
I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.