Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Atlas Filmheft 84 – Pharao

Information

Details

  • Format: Film Programme
  • Designer/s: Fischer-Nosbisch
  • Client/Publisher: Atlas Films
  • Size: 235mm x 202mm
Fischer-Nosbisch was a studio founded by the husband-and-wife team of Fritz A. Fischer and Dorothea Nosbisch.

Linked Information

Atlas Filmheft 84 - Pharao designed by Fischer-Nosbisch
Atlas Filmheft 84 – Pharao designed by Fischer-Nosbisch
Fischer-Nosbisch was a studio founded by the husband-and-wife team of Fritz A. Fischer and Dorothea Nosbisch.
More graphic design artefacts
Futura, Bauersche Giesserei, Frankfurt am Main, Type Specimen
From the design archive:

Futura, Bauersche Giesserei, Frankfurt am Main, Type Specimen

  • Format: Type Specimen
  • Designer/s: Paul Renner
View Artefact
Omnibus 6, University of Braunschweig, 1962. Designed by Udo Zisowsky
From the design archive:

Omnibus 6, University of Braunschweig, 1962

  • Format: Magazine
  • Designer/s: Udo Zisowsky
  • Year: 1962
View Artefact
Graphik – Werbung + Formgebung, 5, 1957
From the design archive:

Graphik – Werbung + Formgebung, 5, 1957

  • Format: Magazine
  • Year: 1957
View Artefact
Venice for Modern Men, The Royal Institute of British Architects, 1963. Cover design by Viti Giuliano
From the design archive:

Venice for Modern Men, The Royal Institute of British Architects, 1963

  • Format: Exhibition Catalogue
  • Designer/s: Viti Giuliano
  • Year: 1963
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Showcard for Harris Co., Ltd. Designed by Hiroshi Ohchi Scanned from Idea 11, 1955
  • Design Archive Feature, Members Only Content

Advertising that Sticks. Examples of 1950s Chewing Gum Advertising

Advances in production and 1950s chewing gum marketing. From Wrigley's iconic "Spearman" ads to Hiroshi Ohchi's designs for Harris Chewing Gum.

Members Content

pintori-olivetti
  • Design Archive Feature, Members Only Content

Giovanni Pintori and his definitive visual language for Olivetti

Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.
Poster designed by Ernst L. Franke
  • Design Archive Feature

The Inventive Publicity of Austria, 1930 by John Harrison

A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.

Members Content

Shostakovich Piano Concerto No. 1 opus 35 & No. 2 opus 102. Record 2 Rudolph de Harak.
  • Design Archive Feature, Members Only Content, Music Artwork

Rudolph de Harak and Westminster Records

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.