Commercial Art Vol 10, No 56, February 1931

Information

Content includes:
The Advertising Agency and what it should provide.
Its Working. By W. W. J. Studd, Promotion Manager of Illustrated Newspapers Ltd.
Brighter ” Packs.” An article by Charles Rosner on Hungarian Packing Art
Exit Wax. A note on the new creations of Messrs. Siegel of Paris
The Detroit Exhibition of Advertising Art. Described by Norman H. Chase
Experiments in the Advertising film. By Oswell Blakeston
I.-Photographing Ideas
2.-The Advertising Talkie
Masters of the Poster. I.-Toulouse-Lautrec. By Stanley Rowland, M.A.
The Publicity of “La Grande Maison de Blanc.” By Marcel Valotaire
World Ideas in Advertising
An Important Book on Advertising
Two Hungarian Pack Lids
Bogelund. Danish Poster for County Council Schools Tournament 69
Toulouse-Lautrec. Poster. Troupe de Mlle. Eglantine
H. A. Budd. Underground Poster

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Commercial Art Vol 10, No 56, February 1931
Commercial Art Vol 10, No 56, February 1931
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Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.
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Japanese modern design was heavily influenced by European art movements, particularly modernism and the Bauhaus school. As Japan's advertising industry expanded, it increasingly drew from Western culture, especially television and film, resulting in designs that were eclectic, vibrant, and infused with modernist energy.

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Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.