Domas, 03, 1931

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Domas. Monthly review for literature, arts and science. A Latvian modernist magazine, containing contributions by mostly left-wing artists, writers, scientists and politicians. »Domas« was published between 1924 and 1934.

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Domas, 03, 1931. Cover design by Niklāvs Strunke
Domas, 03, 1931. Cover design by Niklāvs Strunke
Domas. Monthly review for literature, arts and science. A Latvian modernist magazine, containing contributions by mostly left-wing artists, writers, scientists and politicians. »Domas« was published between 1924 and 1934.
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From the design archive:
From the design archive:
From the design archive:
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Armin Hofmann's publicity for the Stadttheater Basel. The client, in this case, the Municipal Theater of Basel, refused to listen to narrow-minded critics, in spite of the fact that as a state-subsidized enterprise it is accountable to public opinion.

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Little is known about the designer Günther Heil. he established his graphic studio in Berlin and designed many advertisements for 8mm and 16mm film distributor Bruno Schmidt in the 1960s. These were created in the same era as the film distributor Atlas Films was sending films to art-house theatres and were hiring designers Hans Hillmann, Hans Michel, Günther Kieser, Wolfgang Schmidt and Karl Oskar Blase.

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In 1997 Tadanori Yokoo showcased 31 new silkscreens at the Ginza Graphic Gallery in Tokyo. Many of these works were previously unseen, and I was fortunate enough to discover a feature in a back issue of Idea magazine that showcased the full collection of silkscreen posters. 

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Forward and a selection of poster designs entered to the Die besten Plakate des Jahres 1963. Featuring the work of Hans Hartmann, Jörg Hamburger, Jost Hochuli, and Armin Hofmann.