Gebrauchsgraphik, 01, 1952

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Content includes:
Eberhard Hölscher: Italian posters for tourist traffic
Eberhard Hölscher: Erna Schmidt-Caroll
Anton Sailer: Magic worked by old graphic art
Eberhard Hölscher: Austrian commercial graphic art
Anton Sailer: There is another way, too, says Mr. Theobald
Anton Sailer: Ferenc Berko, Aspen/Colorado
Eberhard Hölscher: Alfred Eckart
Anton Stankowski: 9. Triennial in Milan, 1951
Anton Stankowski: A successful attempt
L. Fritz Gruber: Photokina competition for a poster
Eberhard Hölscher: New title pages for music
Eberhard Hölscher: The rich American source

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Gebrauchsgraphik, 01, 1952
Gebrauchsgraphik, 01, 1952
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Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.
The UK’s first vintage poster market is to launch as a 3-day pop-up at the Copeland Gallery in Peckham 14-16 May. Entry is free.

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Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.

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His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.