Gebrauchsgraphik, 1, 1967

Information

Content includes:
Sigwart Blum – «Pop-Art…» the self-Advertising of an Argentinian Advertising Agency
Eberhard Hölscher – The Lucas Award 1966, Results of a school-competition
Amir Eichholz – The Greatest Problem: the Producer Drawings by Allan Stomann
Liselotte Hansmann – The Ship of Fool, a bestseller from about 1600
Hans Kuh – Advertising Art in Hannover
J.J. de Lucio-Meyer – Owen Wood, Book-Illustrations
Ludwig Ebenhöh – Image Campaign of the German Fairs 1967

Details

Linked Information

Gebrauchsgraphik, 1, 1967
Gebrauchsgraphik, 1, 1967
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.

Members Content

1930s periodical 'Monografieën over filmkunst' designed by dutch designer Piet Zwart remains a pinnacle of Dutch avant-garde design.

Members Content

Yūsaku Kamekura had a long list of clients and as well as cover designs, he worked across logo and brand design, packaging, book design, and other printed matter, but he is particularly known for his poster design. His clients included Nikon, Tokyo 1964 Olympics, Meiji and TDK.
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.