Gebrauchsgraphik, 11, 1963

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Content includes:
Remigius Netzer – Publicity and Dante · New Illustrations by Wilhelm Neufeld
Kurt Weidemann – The Example of McCall’s – New Ways of Lay-out Design
Sigwart Blum – Ronald Shakespear, Argentinien. Commercial Graphik Art
Eberhard Hölscher – The World of Jugglers · Etchings by Christoph Brudi
Hans Kuh – The Martz + Bühlmann Studio – Swiss Advertising Art
Ingeborg Meinecke – Doctor’s Delight. Folk Customs in the Four Seasons

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Gebrauchsgraphik, 11, 1963. Cover design by Charles Goslin
Gebrauchsgraphik, 11, 1963. Cover design by Charles Goslin
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.

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One of my standout collected pieces is Erberto Carboni’s Crociere 1937 “Italia” Brochure, created for the Societa di Navigazione’s 1937 cruise schedule.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 

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Erik Nitsche's notable book series, the New Illustrated Library of Science and Invention comprised twelve volumes and they are a fantastic example of how to design a perfect non-fiction book!