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Content includes:
Raimund Hrabak: Franco Grignani, Mailand. Pharmaceutical advertising
Anton Sailer: Georgy und Dorothea Stefula.Illustrations
Paul Reilly F.H. K. Henrion, London, Commercial art and exhibition stands
Graphisme publicitaire et stands d’ex position
Ludwig Ebenhöh: Subjective Photography
Eberhard Hölscher: Curious et-signs
Ludwig Ebenhöh: A calendar review 1955/1956
Anton Sailer: Ernst Weil. Pressezeichnungen
Press illustration • Illustrations de presse
Alf. Kayser: ‹El arte en la calle». Argentine shop-windows
< Reiner Black», a type of the type foundry H. Berthold A.-G., Berlin

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Gebrauchsgraphik, 3, 1956. Cover by Michael Engelmann
Gebrauchsgraphik, 3, 1956. Cover by Michael Engelmann

 

Gebrauchsgraphik, 3, 1956. Franco Grignani Feature
Gebrauchsgraphik, 3, 1956. Franco Grignani Feature

 

Gebrauchsgraphik, 3, 1956. Franco Grignani Feature
Gebrauchsgraphik, 3, 1956. Franco Grignani Feature

 

Gebrauchsgraphik, 3, 1956. Franco Grignani Feature
Gebrauchsgraphik, 3, 1956. Franco Grignani Feature
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The best poster designs from Die besten Plakate des Jahres 1957 with a translated foreword by Walter Kern. Featuring the work of J. Müller-Brockmann, Gottlieb Soland, Mary Vieira and Celestino Piatti.

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Wolfgang Bäumer's advertising design for Bayer, Klöckner Works and the Lottery. His adaptable design aesthetic alongside his skills of convening messaging through visuals are fantastic examples of mid-century German graphic design.

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Nikon commissioned Yusaku Kamekura to design numerous posters, packaging designs and advertisements for Nikon. His used abstract forms, an impactful use of colours, along with his skilful reduction of messaging.
In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.