Kiyoshi Awazu - Japanese Graphic Designer

Graphic Design 14, 1964

Information

Content includes:
Kite design in the wind / Masaru Katsumi, Kiyoji Otsuji
Lester Beall and the Hilton Hotel / Masaru Katsumi
Print Design Laboratory ⑭ Practicing Color Scales / : Atsuko Anzai
Tree rings of Studio Boggeri Italy’s oldest and newest design company / Masaru Katsumi
Print Design Laboratory ⑮ / : Kiyoshi Awazu
Yanome Steel Photo Design / Masaru Katsumi
World Rookie Prospects ⑨ / Masaru Katsumi
・ Masayoshi Nakajo
・Romuro Maccio
・Juan Carlos Distefano
・Shoji Shirai
Public posters in Poland / Hiromu Hara
George Lois TV Commercial / Tadahisa Nishio
book review
Exhibition Application Guide

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

Details

Kiyoshi Awazu was a renowned Japanese graphic designer, known for his contributions across various creative fields including poster design, architecture, set design, filmmaking, and illustration. A self-taught artist, Awazu developed a distinctive and eclectic graphic style, characterized by vibrant colour schemes, the use of motifs from both traditional Japanese art and modern pop culture, and the integration of supergraphics and expressive typography.

Linked Information

Graphic Design 14, 1964. Cover design by Kiyoshi Awazu
Graphic Design 14, 1964. Cover design by Kiyoshi Awazu
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
Kiyoshi Awazu was a renowned Japanese graphic designer, known for his contributions across various creative fields including poster design, architecture, set design, filmmaking, and illustration. A self-taught artist, Awazu developed a distinctive and eclectic graphic style, characterized by vibrant colour schemes, the use of motifs from both traditional Japanese art and modern pop culture, and the integration of supergraphics and expressive typography.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.

Members Content

The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.

Members Content

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.

Members Content

Publimondial was founded André Roulleaux in 1942 and remained in circulation until 1960. The French journal was published by Art et Publications and was subtitled ‘The Magazine of Graphic Arts and Advertising Technique’.