Kiyoshi Awazu - Japanese Graphic Designer

Graphic Design 14, 1964

Information

Content includes:
Kite design in the wind / Masaru Katsumi, Kiyoji Otsuji
Lester Beall and the Hilton Hotel / Masaru Katsumi
Print Design Laboratory ⑭ Practicing Color Scales / : Atsuko Anzai
Tree rings of Studio Boggeri Italy’s oldest and newest design company / Masaru Katsumi
Print Design Laboratory ⑮ / : Kiyoshi Awazu
Yanome Steel Photo Design / Masaru Katsumi
World Rookie Prospects ⑨ / Masaru Katsumi
・ Masayoshi Nakajo
・Romuro Maccio
・Juan Carlos Distefano
・Shoji Shirai
Public posters in Poland / Hiromu Hara
George Lois TV Commercial / Tadahisa Nishio
book review
Exhibition Application Guide

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

Details

Kiyoshi Awazu was a renowned Japanese graphic designer, known for his contributions across various creative fields including poster design, architecture, set design, filmmaking, and illustration. A self-taught artist, Awazu developed a distinctive and eclectic graphic style, characterized by vibrant colour schemes, the use of motifs from both traditional Japanese art and modern pop culture, and the integration of supergraphics and expressive typography.

Linked Information

Graphic Design 14, 1964. Cover design by Kiyoshi Awazu
Graphic Design 14, 1964. Cover design by Kiyoshi Awazu
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
Kiyoshi Awazu was a renowned Japanese graphic designer, known for his contributions across various creative fields including poster design, architecture, set design, filmmaking, and illustration. A self-taught artist, Awazu developed a distinctive and eclectic graphic style, characterized by vibrant colour schemes, the use of motifs from both traditional Japanese art and modern pop culture, and the integration of supergraphics and expressive typography.
More graphic design artefacts
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From the design archive:
From the design archive:
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Members Content

1930s periodical 'Monografieën over filmkunst' designed by dutch designer Piet Zwart remains a pinnacle of Dutch avant-garde design.
My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.

Members Content

Little is known about the designer Günther Heil. he established his graphic studio in Berlin and designed many advertisements for 8mm and 16mm film distributor Bruno Schmidt in the 1960s. These were created in the same era as the film distributor Atlas Films was sending films to art-house theatres and were hiring designers Hans Hillmann, Hans Michel, Günther Kieser, Wolfgang Schmidt and Karl Oskar Blase.
The UK’s first vintage poster market is to launch as a 3-day pop-up at the Copeland Gallery in Peckham 14-16 May. Entry is free.